miércoles, 17 de julio de 2013

The Chapman Report is a 1962 film made by DFZ Productions and distributed by Warner Bros. Pictures. It was directed by George Cukor and produced by Darryl F. Zanuck and Richard D. Zanuck, from a screenplay by Wyatt Cooper and Don Mankiewicz, adapted by Gene Allen and Grant Stuart from Irving Wallace's 1961 novel The Chapman Report. The original music was by Leonard Rosenman, Frank Perkins and Max Steiner, the cinematography by Harold Lipstein, the colour coordination images and main title design by George Hoyningen-Huene, and the costume design by Orry-Kelly.

The Chapman Report is a 1962 film made by DFZ Productions and distributed by Warner Bros. Pictures. It was directed by George Cukor and produced by Darryl F. Zanuck and Richard D. Zanuck, from a screenplay by Wyatt Cooper and Don Mankiewicz, adapted by Gene Allen and Grant Stuart from Irving Wallace's 1961 novel The Chapman Report. The original music was by Leonard Rosenman, Frank Perkins and Max Steiner, the cinematography by Harold Lipstein, the colour coordination images and main title design by George Hoyningen-Huene, and the costume design by Orry-Kelly. The film stars Shelley Winters, Jane Fonda, Claire Bloom, Glynis Johns, and Efrem Zimbalist Jr, with Ray Danton, Andrew Duggan, Ty Hardin, Harold J. Stone, Cloris Leachman, and Henry Daniell. Contents 1 Plot and production 2 Reception 3 References 4 External links Plot and production Based on Irving Wallace's novel that was based on the Kinsey Reports, the film was originally conceived for 20th Century Fox to attract customers with discussions and depictions of sexual matters that would not be allowed on American television. Darryl F. Zanuck was having problems with Fox during the production of two widescreen epic spectacular films for the studio in Europe, Cleopatra and The Longest Day at the same time. When Fox would not do the film, Zanuck offered the property, his son the producer, director Cukor and the female stars to his friend and rival Jack Warner.[2] Warner Brothers replaced the film's planned male leads with their own Warner Brothers Television contract leads who received no extra money to do the film. Warner Brothers felt that casting these performers would attract their fans to the film, while at the same time pleasing the stars who had requested more interesting and different material than they had at Warners. Andrew Duggan played a character based on Dr. Alfred Kinsey; Efrem Zimbalist Jr played one of his researchers, who meets and interviews the four women depicted in the film. The leading ladies consist of Jane Fonda as a frigid young widow; Shelley Winters as an adulterous middle-aged housewife having an affair with artist Ray Danton; Glynis Johns as a trendy older woman infatuated with athletic young beach boy Ty Hardin; and Claire Bloom as a nymphomaniac.[3] Costume designer Orry-Kelly dressed each of the different female characters in only one color throughout the film.[2] As many as seven different writers worked on the film[2] with Gene Allen, who was contracted to Cukor's organisation delivering the final screenplay. The film attracted much criticism during its production by the Legion of Decency amongst others. Reception After a screening at San Francisco where Cukor claimed the audience liked the film, the studio recut the film.[4] At the Legion of Decency's insistence, Jack Warner had Michael A. Hoey reedit the film[5] and wrote a different ending[6] with Zimbalist and Duggan saying that American women were rather normal sexually, a message at odds with the rest of Cukor's film. A different director was brought in to reshoot it.[2] Upon the film's general release, The New York Times said "the four adapters use four case histories of abnormal sexual behavior of upper middle-class women of a Los Angeles suburb who subject themselves to the testing of a psychologist's team of investigators. They touch, unfortunately only superficially, on a frigid type, a nymphomaniac-alcoholic, a confused, bored mother and a gay, flighty intellectual seeking enlightenment in romance. The interplay and lack of depth in the treatment of these glimpses at the intimate life sometimes appear more prurient than scientific. And a viewer's emotions rarely, if ever, are fully engaged in following the affairs."[7] References ^ a b "Overview". Turner Classic Movies. Retrieved 2011-12-21. ^ a b c d http://www.emanuellevy.com/article.php?articleID=2895 ^ http://www.sensesofcinema.com/2004/great-directors/cukor/ ^ p.63 Long, Robert Emmet George Cukor: Interviews 2001 Univ of Mississippi Press ^ http://www.imdb.com/name/nm0388629/ ^ http://www.elvisinfonet.com/interview_michaelhoey.html ^ Weiler, A. H. (October 18, 1962). "Chapman Report: Adaptation of Wallace Novel Opens Here". The New York Times. Retrieved 2011-12-21. External links The Chapman Report at the Internet Movie Database [hide] v t e Films directed by George Cukor 1930s Grumpy (1930) The Virtuous Sin (1930) The Royal Family of Broadway (1930) Tarnished Lady (1931) Girls About Town (1931) What Price Hollywood? (1932) A Bill of Divorcement (1932) Rockabye (1932) Our Betters (1933) Dinner at Eight (1933) Little Women (1933) David Copperfield (1935) Sylvia Scarlett (1935) Romeo and Juliet (1936) Camille (1936) Holiday (1938) Zaza (1939) The Women (1939) 1940s Susan and God (1940) The Philadelphia Story (1940) A Woman's Face (1941) Two-Faced Woman (1941) Her Cardboard Lover (1942) Keeper of the Flame (1942) Gaslight (1944) Winged Victory (1944) A Double Life (1947) Edward, My Son (1949) Adam's Rib (1949) 1950s A Life of Her Own (1950) Born Yesterday (1950) The Model and the Marriage Broker (1951) The Marrying Kind (1952) Pat and Mike (1952) The Actress (1953) It Should Happen to You (1954) A Star Is Born (1954) Bhowani Junction (1956) Les Girls (1957) Wild Is the Wind (1957) 1960s Heller in Pink Tights (1960) Let's Make Love (1960) Something's Got to Give (1962) The Chapman Report (1962) My Fair Lady (1964) Justine (1969) 1970s Travels with My Aunt (1972) Love Among the Ruins (1975) The Blue Bird (1976) The Corn is Green (1979) 1980s Rich and Famous (1981) Categories: 1962 films English-language films Films about sexuality 1960s drama films American romantic drama films Films based on novels Films about suburbia Films set in Los Angeles, California Films directed by George Cukor Warner Bros. films American films

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